https://cethefi.org/ciresfi/ 2026-05-01T22:28:06+0200 https://cethefi.org/ciresfi/ https://cethefi.org/ciresfi/lib/tpl/ciresfi/images/favicon.ico text/html 2019-02-11T22:50:51+0200 Anonymous (anonymous@undisclosed.example.com) https://cethefi.org/ciresfi/doku.php?id=en:chronologie&rev=1549921851&do=diff Chronology The first meeting for the project occured in Nantes February 27, 2015. text/html 2019-02-11T22:50:50+0200 Anonymous (anonymous@undisclosed.example.com) https://cethefi.org/ciresfi/doku.php?id=en:projet&rev=1549921850&do=diff Project summary [Arlequin, Pierrot et Scapin] Whilst Louis XIV’s cultural policy was based on centralization and monopoly (only the Académie royale de la musique could put on operas and musical performances, only the Comédie-Française could perform tragedies and comedies in French), two other theatres managed to exist and survive for more than a century outside this system of privilège. These were the Comédie-Italienne and the Foire (fairground) theatres, the latter of which were open only for …